Sex Doesn’t Sell?
A new survey, compiled for the Christian Film and Television Commission (CFTC), proffers the dubious argument that ‘moral’ films without sex and nudity sell better than their tawdrier equivalents:
An analysis of 1,120 cinematic releases over the past four years has shown that films without sex scenes, such as Disney’s Finding Nemo or Toy Story 2, earned an average of $41.1 million (£22.3 million), while films with sex have grossed 38 per cent less with an average of $16.7 million.
This is absurd propaganda and it’s shameful that major newspapers agreed to publish the results. Of course films without sex sell more than films with sex, for blatantly obvious reasons:
- Children only attend G-rated films.
- Successful G-rated films are produced and marketed by marketing giants such as Disney. They receive maximum exposure and are shown in the maximum number of theatres.
- As the ratings increase, the possible viewership decreases. For R-rated films, instead of having a viewership demographic of 0-65, you’ve got 18-65.
It’s an idiotically obvious conclusion for the surveying company to draw, and the CFTC masquerades these ‘facts’ as an argument against sex in cinema. Notably, the survey only covers the last three years. Historically, when a country is in conflict, values become more conservative. This is exacerbated by a right-wing president in the Whitehouse. Is it any surprise that Finding Nemo is tops at the box office?
The most shameful journalism occurs when the journalist Elizabeth Day compares My Big Fat Greek Wedding to Spiderman (which had no sex but plenty o’ violence). Spiderman had a massive marketing budget behind it, and for the first six weeks of its run never appeared in less than 3000 cinemas across the US. It generated it’s US $403 million box office gross in a 16-week blitzkrieg of publicity. My Big Fat Greek Wedding, on the other hand, never appeared in more than 2016 cinemas, succeeded on word of mouth, and took a year to earn its (very impressive) US $241 million. Furthermore, the writer stupidly compares the two films in the British market, where Wedding only took 46% of the box office of Spiderman, considerably less than the global take of 60%.
This is a classic example of the media ignorantly glomming onto highly-dubious survey results, and therefore endorsing them. It’s a truism to argue that films without nudity and sex will always top the box office–it’s not front page news.
Though, now that I look at the all-time box office successes, I see that put-your-hands-on-me-Jack-and-sketch-me-naked Titanic is in first place. So, there’s still hope for skin in cinema. Skinema. Whatever.
