May 3rd, 2005

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Movies

Life After Darth

Steve Silberman writes to point me to his Wired cover story on a post-Star Wars George Lucas (Steve probably found me while researching Lucas’s connection to obscure Canadian filmmaker Arthur Lipsett). It features quotes from the world’s greatest living editor, Walter Murch:

“For me, those films pummel you into submission,” Murch says. “You say, OK, OK, there are 20,000 robots walking across the field. If you told me a 14-year-old had done them on his home computer, I would get very excited, but if you tell me it’s George Lucas - with all of the resources available to him - I know it’s amazing, but I don’t feel it’s amazing. I think if George were here and we could wrestle him onto the carpet, he’d say, ‘Yeah, I’ve gotten into that box, and now I want to get out of that box.’”

I really hope Lucas branches out, now that he’s spent twenty-five years in the limelight.

If you’re interested in the profession of film editor, read The Conversations: Walter Murch and the Art of Editing Film. It’s a great series of interviews with Murch conducted by Michael Ondaatje. Reading it changed the way I watch movies.

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also recommended with other Murch-worthy info is a book called ‘In the Blink of an Eye’ which looks into the phenomenon of blinking and how it helps us take in an edit point. Has some great insight on a few things and taught me a lot as well.

side note: we’re going to Istanbul!

[Reply]

With all the hullabaloo of the newest episode, I’ve been trying to gauge Luca’s contribution to the film industry and, well, as a director, he’s pretty much a dud.

As a producer - wow, great stuff.
As a special effects and movie technologist - wow, great stuff.

As a director? Let’s see - THX - a brainy film, as I remember it; American Grafitti - a basic 50s adulation film; Star Wars - 6 films in 30 years - ok, so they are fine movies, but really, only the first one was a landmark, the others were derivative, way too derivative.

(no flames please)

For comparison, look at Speilberg, a colleage and contemporary. Stevie kicks ass.

[Reply]

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