How to Talk to Artists
Steve points to an essay in ARTnews entitled How to Talk to an Artist.
First, a few examples of what not to say:
Are you a contemporary artist? All living artists are contemporary.
Do you have any extra pictures you don’t want? Do you ask bankers if they have any extra money they don’t want?
Your work is exactly like so-and-sos. “Do you mean I’m not original? I’m derivative?” worries the artist.
It must be fun to play all the time. When do you actually work? Ouch! This question is universally loathed. Artists understand very well that they’re not coal miners, schoolteachers, or insurance adjusters. But they work very hard–and consider their work to be work, not play.
What a load of elitist tripe. It’s full of generalizations (all artists, for example, don’t work “very hard”), but I object most to its basic thesis–that we should somehow treat artists differently than the rest of society. Why don’t I see articles entitled “Wearing Kid Gloves Around Your Plumber” or “Talking to the Accountants”? The implication is that artists are delicate, sophisticated creatures and the average human is too cloddish to have a conversation with them.
I would tell my bookkeeper that her numbers didn’t add up. I would tell (and I frequently do) Todd Bertuzzi to go into the corners more often. So why should I nancy around artists?
Go ahead and ask an artist if that painting comes in purple. Go ahead and ask them how many hours they work a day. Go ahead and ask what grants they’re currently applying for. It’s not about the questions, obviously, but the way you ask them. Just treat them well and don’t be judgemental–it’s the artist’s fault if they take offense.
I was also dismayed that the writer seems to think the term ‘artist’ is limited to people who work in the visual arts. Doesn’t she extend the same priveleges to musicians and poets?