The Charm and Homoeroticism of He-Man
If you’re a male of a certain age, you probably recall He-Man and the Masters of the Universe. It was a highly derivative half-hour ad for Mattel products that ran from 1983 to 1985.
I recently listened to a great, observant article by Sam Anderson about He-Man. You can read the piece, but I recommend listening to it (MP3). As always, Andy Bowers is a great reader, and it features some snippets from the show:
In the ever-growing lineup of “outed” classic superheroes, He-Man might be the easiest target of all. It’s almost too easy: Prince Adam, He-Man’s alter ego, is a ripped Nordic pageboy with blinding teeth and sharply waxed eyebrows who spends lazy afternoons pampering his timid pet cat; he wears lavender stretch pants, furry purple Ugg boots, and a sleeveless pink blouse that clings like saran wrap to his pecs. To become He-Man, Adam harnesses what he calls “fabulous secret powers”: His clothes fall off, his voice drops a full octave, his skin turns from vanilla to nut brown, his giant sword starts gushing energy, and he adopts a name so absurdly masculine it’s redundant.
He’s got a good point (and he goes on from there). He-Man was pretty gay.
In terms of shows that most impacted my world view, nothing was more influential than Robotech. It had more of a Japanese femme thing going on, though I’m sure there’s some suggestive material if you dig for it.
This is my second Slate reference of the week. Can you tell I’m catching up on podcasts after The Da Vinci Code marathon?
