Nicholson Baker on Wikipedia

March 24th, 2008, No Comments »

One of my favourite writers, Nicholson Baker, recently wrote an essay on Wikipedia for The New York Review of Books:

Wikipedia was the point of convergence for the self-taught and the expensively educated. The cranks had to consort with the mainstreamers and hash it all out—and nobody knew who really knew what he or she was talking about, because everyone’s identity was hidden behind a jokey username. All everyone knew was that the end product had to make legible sense and sound encyclopedic. It had to be a little flat—a little generic—fair-minded—compressed—unpromotional—neutral. The need for the outcome of all edits to fit together as readable, unemotional sentences muted—to some extent—natural antagonisms.

To his credit, he actually made a bunch of edits to Wikipedia articles, and seems to have spent a reasonable amount of time pickling in the community.

I’ve always admired Baker’s awesome vocabulary. To pick a random example, he just slides the word ‘panjandrum‘ into a concluding paragraph, as casual as a drop pass.

The essay is ostensibly a review of Wikipedia: The Missing Manual. However, like almost all literary book reviews that I read, the book itself seems an afterthought. This tradition of literary review seems like it’s centuries old–I wonder how it started? It’s unique among the art forms in mainstream media. Movies, plays, dance, visual art–they all only get the same standard treatment, entirely focussed on the artwork itself. Why did books turn out differently?

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Coupland’s Apocalypse

June 20th, 2007, 1 Comment »

Via Metafilter, I read this essay by Douglas Coupland that apparently appeared in AdBusters back in 2002. It’s seven days that ends with the earth “not much more tan a waterlogged, barbecued briquette”:

Colossal lightning activity in both hemispheres triggers fire even in those areas most remote from what was once the human civilization. Residue from pesticide and pharmaceutical facilities quickly sterilize most European, North American and Asian rivers: the Mississippi is now a gummy, acidic broth, not unlike hot-and-sour soup, but cut with burnt rubber.

I’m always interested in dystopian views of the future, and it’s an aspect of Douglas Coupland’s writing that I’ve always particularly enjoyed. He seems to have been inordinately affected by growing up during the Cold War.

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