The Former Cowboy Junkies Paradox

November 24th, 2007, 2 Comments »

Seth Godin writes about my beloved Cowboy Junkies. He calls it the ‘Cowboy Junkies Paradox’, because the band sold huge amounts of their first album and then have never been able to repeat that success:

The paradox occurs at their concerts… when they play one of the old hits, the crowd goes wild. The people most likely to come to their concerts are the ones most likely to encourage them to become an oldies act. Of course, once the group does that, people are going to stop showing up.

Maybe I’m being overly-defensive about my favourite band, but I don’t think they’re an apt example. They probably once were, for the first few years after the monster success of The Trinity Sessions. Because their subsequent CDs were somewhat stylistically diverse, they surely disappointed a lot of Trinity converts through the early and mid-nineties.

Today, however, the people who are most likely to come to their concerts are longterm fans. Those fans aren’t expecting to hear a lot of songs off that first album, because they have given up a long time ago. The Junkies have a smaller fan base these days, but it’s one that’s familiar with most or all of their albums, and not just The Trinity Sessions. I’ve seen the Junkies live several times, and these days fans cheers just as loudly for, say, “Murder Tonight in the Trailer Park” or “Anniversary Song” as they do for “Misguided Angel”.

To the band’s credit, they continue to be reasonably experimental on recent albums. They’re no longer with a major label, and seem pleased to be free from the restrictions that relationship implies.

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The Trinity Sessions: Twenty Years Later

November 18th, 2007, 9 Comments »

I first heard The Trinity Sessions about twenty years ago, right when my musical taste was starting to form. I’d never heard anything like it–it was sleepy and ethereal, country and blues or neither or both. Looking back, it’s obviously had lasting influence on the music I’ve chosen to listen to since then. And I’m still a pretty big Cowboy Junkies fan.

They recorded the album in Toronto’s Church of the Holy Trinity with the band circled around a single central microphone. I gather this contributed to its unusual sound. Of course, the album went on to become something of a Canadian classic. Their version of the Velvet Underground’s “Sweet Jane” is still used in movies.

For the twentieth anniversary of The Trinity Sessions, the band–joined by Natalie Merchant, Ryan Adams and Vic Chestnutt (?)–returned to the church to ‘cover’ the original album. They have more microphones this time:

I’ve had a crush on Margo Timmons and Natalie Merchant since I was a teenager, so it’s kind of a thrill to see them sing together.

I’ve always admited the way the Junkies rolled with the changing music industry and their own fortunes. For example,tThey’ve always permitted bootleggers or ‘tapers’ at their concerts. They recently invited one of their ardent fans and tapers to select from the songs he recorded in 2007 for a section of their online store. If you can’t beat ‘em, and all that.

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